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Seahenge reflections

Norfolk tree

I have been suffering from nature-deficit-disorder. Surrounded each day by concrete, I have badly needed to get away. My chance came last weekend when Kevin and I took off for Norfolk to stay in a tiny little cottage for two called “The Retreat”.

Rainy and grey it didn’t matter as the low lying landscape had great atmosphere. Solitary trees — including a few stag-headed oaks – naked of their leaves, stood silhouetted against vast skies. And crows, rooks and seagulls milled over ploughed land and created a clamouring parliament in the trees. The fields were wet, soggy under foot and shifting rivers and lines of broken Crack willow gave the landscape a shabby, neglected feel. But it was so good to get away and reconnect a bit with nature.

Seahenge before it was moved

One thing I’ve been wanting to do for ages is visit Seahenge which was discovered at Holme-next-to-the-Sea on the North Norfolk coast. I didn’t know much about it other than it was a circle of 55 wooden posts with a central tree stump exposed in the mud at a lowtide back in 1998. It was a romantic find, but it was removed from its site back then and part of it ended up in a museum at King’s Lynn. It was there that we went to find out more about it.

Seahenge has been dated to the early Bronze Age, 2049 BC, a similar age to Stonehenge. The tree stumps – including the central stump – are of oak . It’s interesting that the central stump was deliberately placed upside down. (Apparently it was lowered into the ground with rope made of honeysuckle. Honeysuckle rope…. there’s something lovely about that.) One theory states that this could have been an altar for placing the dead thereby exposing the body to the elements and wild animals, which would liberate the dead person’s spirit, a practice called excarnation. On the other hand, it may have been a shrine to trees instead, perhaps.

Seahenge tree with reflection

According to Dr Francis Pryor, inverting the oak is like taking a symbol of life and returning the life forces to the earth, the source of life. The release of possibly ‘dangerous’ energies required containment, hence the circle of stumps. Intriguing, turning life upside down! Certain mythologies like those of the Lapps, have a three part cosmos — a world above, around and below us. An inverted tree would have roots in our world but it would be growing into the underworld. The tree would be seen as drawing different worlds together, a way of communicating between our world and the world below the ground — a paralell world. A world inhabited by the ancestors?

Pondering on the oak stumps in the museum, the deep past, something so old, from so long ago, I caught my reflection in the glass.

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Shunning the light

Woman Shunning the Light

Altered book with woman's face

Buddha Head in tree roots

Woman with Candle

Days ago I imagined I was in a garden. Usually I like wild places but I definitely yearned for a garden of stillness and contemplation. I let the day dream unfold and take me to a cave, a cave garden, in which to meditate. Walking back with the shopping, my thoughts were adrift in powder blue, and I was surrounded by cave drawings of sea creatures, birds and flowers. Peaceful, it reminded me of a painting of Radha and Krishna in the Grove as can be seen here.

I need to find a garden.

The opalite light breaks into brightness. It has been glorious for days, but somehow too bright, too blazing. Its starkness has made me want to turn away and hide. I’ve felt inspired to draw and made this sketch that I’ve called “Woman Shunning the Light”.

I have now added the picture to my ‘altered book’.

She has the face that so often crops up in my pictures. It isn’t my face but the face of an unknown, mystrey woman that looks similar to the Buddha’s head in this photo taken in Ayutthaya in Thailand. She has appeared in my “Woman with Candle” painting, taking light from a dying sun to carry with her into the night. (I have altered the colours of the painting in photoshop to make it bluer – you can see the original on my website paintings page here.) It has an Edvard Munch/Van Gogh inspired sky.

I stumbled upon a passage by Bill Plotkin from his book ‘Soulcraft’ which makes me think about the light and the dark:

People who live excessively upperworld lives take a transcendental view of everything. They tend to see light, love, unity and peace everywhere. They are attracted to the Course in Miracles or aspire to, “enlightenment,” via an ungrounded approach to Buddhism….

…People who live excessively underworld lives see the world darkly. They tend to see hidden meaning, mystery, and the undoing of things everywhere. They gravitate toward the occult and the paradoxical. They want to penetrate to the center of everything and understand it all by standing under….

A holistic approach to spirituality interweaves the ascent and the descent, rendering balance to the experience of both the upperworld and the underworld.

You can read more of the passage here.

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In praise of trees

boat with tree memoryThe other day Kevin and I went for a walk to get out of Brighton. We headed for the River Rother. I grumbled – too many people, it wasn’t wild enough, too tame, can’t get away enough! I missed seeing the pleasant surroundings and wildlife so caught up was I in my thoughts and grumblings.

We came to a wood, “Smutts Wood”. The owner had put a notice up explaining how he was planting trees where the previous owner had felled them. He had included the quote that has been attributed to Chief Seattle and that I’ve seen so many times. I am always moved by it whoever wrote it. It begins:

How can you buy or sell the sky, the warmth of the land? The idea is strange to us.
If we do not own the freshness of the air and the sparkle of the water, how can you buy them?
Every part of this earth is sacred to my people. Every shining pine needle, every sandy shore, every mist in the dark woods, every clearing and humming insect is holy in the memory and experience of my people.

and ends:

Man does not weave this web of life. He is merely a strand of it. Whatever he does to the web, he does to himself.

When we got back the sink was blocked which didn’t help my mood. It was a balmy, black evening and I sat down disillusioned and gazed into space. Soon my attention was drawn to the photos on my ‘Trees for Life’ calendar, photos of trees in Bhutan for the month of August. I took down the calendar and read the accompanying text finding myself so engrossed that I read all the passages for the proceeding months as well. A change happened, I found myself contemplative, still, …..inspired! Trees had rescued me from my negetive mood. Check out the Trees for Life website.

I sometimes don’t see what is immediately around me, trees closeby, even here, right in the middle of town, forever present. Forever, I hope.


So today I am praising trees.

trees creak with the rhythm of the wind.
boats carry this memory in their wood and creak to the rhythm of the slow-swinging sea…a breathing, creaking bough that could send a baby to sleep.

the boat remembers the tree,
has memories of the tree
has memories of the forest
it knew the forest like it now knows the shore
it remembers the baby it carried, lulled to sleep by creaking bough

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Violets and primroses

It’s been a while since I last posted anything. I’ve paused with my story at the moment but will pick it up again soon. I’ll be attending a two day workshop on creating picture books for children in June which I hope will give me a little guidance with forming the story and weaving in illustrations to compliment it. Any creative ideas I’ve had have made way for holiday or travel ideas. I haven’t come up with any definite plans yet, but I have itchy feet after such a long winter.

VioletPrimroseMeanwhile I’ve taken spare moments to get out in the sunshine and really enjoy the Spring. On one of my recent rambles I took my camera and just had to take shots of a bountiful bank of primroses and violets. Some trees are still bare from winter or in bud. I liked the confusion of branches in this giant oak.
Old tree

This year I want to get more into photography, so I’m hoping to have good enough photos to share with you soon!

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Gazing at the moon again…

I’ve a fascination for wood at the moment. I’ve been photographing trees and gathering wood to paint which is now drying in my kitchen. I found a log and a flat piece with knots like flattened souls staring out at me on my allotment. The odd woodlouse finds itself lost on a desert of lino, but I think I’ve shaken most of the wildlife out. While I wait for them to dry, I’m turning to some illustration. Today I’ve finished two pictures, both feature trees and the moon as usual. This one has a girl transfixed by a full moon beside a wood full of eyes.
Girl and the moon

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