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New Zine/Booklet

I’ve created a new zine/booklet titled ‘If You Are Lost You May Be Taken’. It’s different from my Night Wood booklet in some ways, although both have 16 highly detailed, illustrated pages of my pen and ink illustrations. It is an illustrated book version of a piece of writing that featured on the RTE Irish radio programme, Keynotes, a few years ago.

If You Are Lost zine

The piece was written as a sort of response to David Wagoner’s poem, Lost and loosely inspired by the myth of Daphne in Ovid’s Metamorphosis. I like to describe it as a strange, poetic tale from the forest, haunting and the stuff of dreams.

Pages from my If You Are Lost You May Be Taken zine.

The booklet/zine is now available to buy in my Etsy shop and soon on my website shop.

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Escaping to Temperate Rainforest

At the end of June we went down to south Devon where we stayed at the truly lovely Hearth Retreat in their little Apple Wagon.

At the Apple Wagon
At the Apple Wagon

It was so peaceful, roaming the fields and woods I was in my element. I just happened to be reading The Lost Rainforests of Britain by Guy Shrubsole – as I am a lover of all rainforests – so it seemed a good idea to visit some temperate rainforest in East Dartmoor National Par, as mentioned in the book.

The Lost Rainforests of Britain by Guy Shrubsole

Temperate – or Atlantic/Celtic rainforest as it is also called – is characterised by trees, often sessile oaks, bearing all sorts of epiphytes – polypody ferns, lichens, mosses, pennywort. The trees literally drip with verdant epiphytic life. Like all rainforests they receive a lot of rainfall that creates rich, moist, tangled layers of lush vegetation that I find incredibly beautiful in dappled sunlight.

We’ve visited smaller patches of rainforest in Wales in the past, but this area in Devon struck me as being more extensive and rich. Nothing beats a river flowing and muttering over rocks in a forest. Here it’s the River Bovey.

Temperate Rainforest
A tangle of ferns, mosses and trees with the river just visible below.

When we returned home I decided to work on another rainforest altered book, but this time of a temperate rainforest. I’ve featured an otter – they visit the River Bovey – a couple of stoats, a pied flycatcher and a jay among the ferns, moss, lichen and rocks.

Temperate Rainforest Altered Book
Temperate Rainforest Altered Book

Once again forests feature in my art. Like the author, Jay Griffiths, forests and woods make me happy. Temperate Rainforest Altered Book is available in my Etsy shop and in my website shop.

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Into the Woods 2023 Calendar

I have created a calendar of wildlife illustrations for 2023 called Into the Woods.

Into the Woods 2023 Calendar
Into the Woods 2023 Calendar

The calendar features 12 highly detailed, sepia, pen and ink wildlife illustrations for the months of 2023, with an additional one for January 2024. Accompanying each illustration is a grid for each month for notes along with the phases of the new and full moons, but no public holidays. It is sized A4, opening to A3 when it is hung on the wall, with a punched hole for hanging.

Into the Woods 2023 Calendar
Into the Woods 2023 Calendar

Included are pictures of badgers, nightjars, owls, deer, hares, otters, a kingfisher and a dipper, amongst other woodland animals. It is printed on high quality 200gsm paper and will be sent in a stiff, kraft envelope.

Into the Woods is available in my Etsy shop and Reflections shop.

Into the Woods 2023 Calendar
Into the Woods 2023 Calendar – back.

As the season turns, I’m off to the woods again!

 

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Papercut Concertina Card – The Wood at Dusk

Dusk, when the edges of all things blur. A time of mauve and moonlight, of shapeshiftings and stirrings, of magic…

I have a new concertina card, The Wood at Dusk. I wanted to create one that was also papercut, giving the card a window on to a layered wood at sunset.

Here it is:

The Wood at Dusk papercut concertina card
The Wood at Dusk papercut concertina card.

On one side of the card there are badgers beneath the trees, through which one can see a deer against the sunset. On the other side there are deer, a fox, a flying tawny owl and a hedgehog.

The back of The Wood at Dusk papercut concertina card.
The back of The Wood at Dusk papercut concertina card.

The Wood at Dusk papercut concertina card.

The Wood at Dusk papercut concertina card.

the Wood at Dusk papercut concertina card.

I went into the woods yesterday evening just after sunset. The sky was pink blue blending to flame red. It was still and the air was a bit cold. I saw no deer or badgers, but the blackbirds, song thrushes and robins were singing, and the odd mistle thrush flew across the land as it descended into shadow. As I sauntered back, the moon, big, bright, white and full followed me through the trees – Wolf Moon, Old Moon, Ice Moon. I think I’ll call it Chalk Moon – it was so white – or Watching Moon, the first full moon of the year.

Sunset at High Park Corner
Sunset at High Park Corner Wood, just north of Brighton.

From my winter retreat I need to revisit the woods and, once again, feel a sense of belonging.

The Wood at Dusk is available in my Etsy shop.

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Night Wood Nature Zine/Booklet

Finally done, my Night Wood nature zine/booklet. I’m pleased with how it’s turned out. I decided to call it ‘Night Wood’ instead of ‘Night Forest’ because I started thinking about what the words ‘forest’ and ‘wood’ mean to me.

Night Wood Book
Night Wood nature zine/booklet.

The word ‘forest’ conjures up a vast area of trees, sweeping over the landscape into the distance. On the other hand, when I think of a wood, I imagine a smaller, more intimate place of trees. So, my booklet title is Night Wood.

Night Wood Book
Night Wood nature zine/booklet.

I do like the word ‘forest’ though. It is the Old French word, ‘forest’, which later became ‘forêt’. Forest probably came from the Late Latin words forestem silvam meaning ‘the outside woods’, or the woods beyond the fenced park.

The word ‘wood’ comes from the Old English word wudu meaning a collection of trees. Wudu may come from the Old Norse word viðr or the Swedish word ved, meaning tree or wood. Another possible source is the Welsh word gwydd, meaning trees. This website mentions a few other interesting forest words including Silvanus, the Roman God of woods and fields from which we get ‘silviculture’. Apparently Silvanae were goddesses who accompanied Silvanus… (I can see some further research and pictures that might materialise).

My Night Wood nature zine/booklet is full of wildlife, including badgers, deer and an owl, beneath the moon. All special to me. I like getting lost in intricate detail. There isn’t a story, just a few words – enough to set the scene and tie the book together. The book is A5 size and comes with a black, C5 tie and washer envelope. I like to think of it as a special gift, more than a card, a little book to treasure for anyone who loves woods, trees and wildlife as much as I do. It’s available in my Etsy shop and my Reflections shop.

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The Sketchbook Project – Forest

Forest Sketchbook

Last year a friend told me about The Sketchbook Project. This is a crowdfunded art library in Brooklyn of sketchbooks created by people from around the world. I love looking at other peoples’ sketchbooks, although I find making them myself quite a challenge. However, I was very interested in getting involved and decided to set myself the challenge.

To take part I had to pay a fee and was sent a small 5″ x 7″ sketchbook in a little string and washer envelope. I could do whatever I liked with the sketchbook as long as it didn’t end up being thicker than an inch or have loose bits that would fall off. I like forests – it’s possibly quite obvious if you’ve seen a lot of my art on this site, (at one time it was rivers, which I still feel very drawn to), so I decided to title my book, Forest and see what I could come up with.

I have pretty much finished the book now, so yesterday I ventured out to take some photos of it beside one of those giant beeches in Dead Beech Lane:

I’ve used acrylic paints, scrim – basically mixed media – pen and ink, watercolour pencil and photos. The book is a mixture of different styles, images and writing more than sketches.

I like the poem ‘Lost’ by David Wagoner, so I wrote it out and incorporated a papercut overlay of pen and ink trees. I also wanted to include a fold-out page. I drew a forest scene based on the tropical forest I encountered at Seima Biodiversity Conservation Area in Cambodia some years ago, with myself as a tiny figure. On the back I’ve added quotes from a piece of my creative writing about looking for slow lorises in the forest (you can read the piece, Night Eyes, over in my writing pages here).

I did cheat a bit and stick in little drawings I’ve done in the past. Sometimes the white page can be a bit threatening :)

I’ve included my piece of writing, If You Are Lost You May Be Taken, that I wrote about in a previous blog post and finished the book with a mixed media collage of a ‘seed woman’ in the leaflitter.

I need to register my book and then send it to the US. I’ve been told to wait a bit for the library to reopen after lockdown.

On the inside cover of the sketchbook, I attached a small black and white image of myself communing with a pine tree in a Sussex wood. I’d hestitate to pose in the same way again :) (I was inspired a few years ago by Nikki Simpson’s Wild Women of the Woods project. I’m not exactly wild, but, sometimes, I like to think of myself as ‘of the woods’ – or, in this case, ‘of the Forest‘ :)

Me in William's Wood

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Harry Potter Altered Book

I have recently been commissioned to make a Harry Potter altered book. I don’t know that much about the Harry Potter books and I’ve only ever seen Harry Potter films on flights, however, this seemed like a good challenge.

The suggested scene to illustrate was from Harry Potter and the Chamber of Secrets, Chapter Five when Harry and Ron crash the Ford Anglia they are driving into the Whomping Willow in the grounds of Hogwarts School of Witchcraft and Wizardry.

Harry Potter - extract.
Harry Potter – extract.from The Chamber of Secrets.

I wanted to make the Whomping Willow the main feature and got caught up in the detail of branches and leaves:

Making a Harry Potter Altered Book
Making a Harry Potter Altered Book

It was fun overlayering the crashed car with the top layer:

Harry Potter Ford Car in Whomping Willow
Harry Potter Ford Car in Whomping Willow

I added an owl in the foreground and Hogwarts in the background against a starry sky:

Harry Potter Altered Book
Harry Potter Altered Book

Along with the Harry Potter altered book, I created another ‘Into the Beech Wood’ altered book as part of the same commission:

Into the Beech Wood Altered Bookb
Into the Beech Wood Altered Book

To accompany this I put together a little booklet with a piece of my writing called Time in the Beech Wood. I wrote it when staying in the Forest Cabin last year. I’ve wanted to do something with this piece for a while, so this seemed like a good opportunity. I played around with my World Tree and deer illustrations to create the cover in Photoshop:

Time in the Beech Wood
Time in the Beech Wood

(I think there’s a hint of cave painting or Cretan vase in the design!) I’ll add it to the book as a little gift.

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Wild Woodland Wedding Invitations

Towards to end of last year a friend on Facebook, Meryl of Black Cat Floral Designs, suggested that I create some wedding invitations with woodland, wildlife or Goddess themes. It’s taken me some time to work out quite what’s required as there seem to be so many variations out there, I’m a bit in the dark about the whole subject.

Anyway, I’ve created some designs and had a few samples printed to see how they look.

Woodland Wedding Invitations
Woodland Wedding Invitations

They include Woodland Wildlife – with rabbits;

Woodland Wildlife Wedding Invitation
Woodland Wildlife Wedding Invitation

A springtime leafy one;

Spring Woodland Wedding Invitationn
Spring Woodland Wedding Invitationn

A ‘Goddess’ one;

Goddess Wedding invitation
Goddess Wedding invitation

and Two Deer one which might work best for an autumn wedding;

Two Deer Wedding Invitation
Two Deer Wedding Invitation

They are currently simple and unfolded on stiff white card but I plan to make some ivory ones on folded card.

Based in Chester, Meryl creates wonderful things with flowers for any occasion. See below and check out the galleries on her website.

Black Cat Floral Creation
Black Cat Floral Designs bridal creation.
Black Cat Floral Designs
Black Cat Floral Designs bridal creation.

I’m hoping to create a page on this website with more details and options soon. In the meantime if you’re interested, contact me here.

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Tawny Owl Art

There’s an owl theme going on at the moment. First I’ve been out looking for urban owls recently to write about for my book. So far, no luck, but I’ll keep trying.

Then I discovered a lovely post about my altered books on the website My Owl Barn and was very pleased to sell my Owl Altered book on Etsy:

Owl Altered Book
Owl Altered Book (click on image to enlarge).

Yesterday I completed a commissioned Owl at Dusk Box Frame, similar to the one featured below:

Owl at Dusk Boxframe
Owl at Dusk Boxframe

With the box frame I decided to hide a poem, Nature by Mary Oliver, written on parchment paper at the back of the box frame behind the final picture. I like the idea of hiding messages and hidden art for anyone who can’t resist opening up the back of the picture.

Below are some images of the box frame process including the back page of the box frame. From the front all you can see of this layer is a bit of sky and moon, but it’s a complete picture that features more trees and a badger.

Owl Box Frame in Process
Owl Box Frame in Process
Nature Poem by Mary Oliver
Nature Poem by Mary Oliver
Back Picture of Boxframe
Back Picture of Boxframe

Here is another tawny owl picture that I might make into a card:

Owl Mixed Media
Owl Mixed Media
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In the Forest

At the beginning of June I spent a week in a little forest studio at the edge of King’s Wood in Kent. The idea was to take some time out to experience the wood at dawn, dusk and day, time to get inspiration for the book I’m writing. I was doing another mini immersion in nature.

The Forest Studio
The Forest Studio

I spent some time wandering in the nearby beech wood plantation, listening to the silence or gentle moan of the wind through the branches. It was like being within a giant underwater forest:

Beech Wood Plantation
Beech Wood Plantation

There was such a contrast between the dark interior and the light exterior:

Edge of the Beech Wood
Edge of the Beech Wood

Wandering and looking at the beech wood trees made me think about the way I create woodland and tree altered books. So I have been making an “In the Beech Wood” altered book:

The Start of an Altered Book
The Start of an Altered Book
Beech Wood Altered Book
Beech Wood Altered Book

At dusk I went out to see if I could see nightjars in the chestnut coppiced area. I was lucky. For several evenings I heard their uncanny churring song and saw the dark shape of the males flying against the sky clapping their wings as they do to display to the female or ward off any other males encroaching on their territory. They were too fast and it was too dark to photograph them but I can picture them in my mind’s eye.

Nightjar
Nightjar

Nightjars are mysterious birds, birds which have attracted superstition and folklore down the ages. They’ve had many names including the name ‘goatsucker’, which stems from their Latin name Caprimulgus which means to milk nanny goats. The myth arose as nightjars were drawn to the insects surrounding livestock.

Dusk Night Dawn Writing Book
Dusk Night Dawn Writing Book

I wandered into the chestnut coppice by day getting to know nighjar territory and was surprised to find an old nest site with a couple of hatched eggshells!

Nightjar Nest Site
Nightjar Nest Site

Plenty to write about.

The Chestnut Coppice at Dawn
The Chestnut Coppice at Dawn

My thanks go to Stour Valley Creative Partnership for allowing me to stay in the Forest Studio.

Stour Valley Creative Partnership

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