I’m working on an’altered’ hardback sketchbook, which differs from any I’ve done before. One difference is that every page is illustrated, the backs of the pages as well as the fronts. Someone will be able to open the book anywhere and see a double page spread illustration with papercut work.
The other difference is that most of the book will be illustrated and cut – not just the central 12 pages. I stick two pages together between spreads for strength and because I like to papercut thick paper. I intend to make about five sections, each with a different scene. It’ll be like five books in one – and will be a lot of work!
So far I’ve done the first section – a night wood scene with badgers and owls beneath a crescent moon:
Sections to come? Perhaps, deer, foxes, nests… I’m not out of the woods yet!
I woke before dawn to see a crescent moon high in the southern sky. Now it’s a beautiful bright cold day with frost on the lawn and on the rooftops. I am longing to get out into the woods, but the car is broken, I’ve put my back out and we’re in lockdown. I’ll have to wait. Instead I’ve found a patch of sunlight to work on my new ‘forest’ book.
This book is about the forest at night. It’ll be titled Forest or Night Forest and will be mostly made up of illustrations with minimal text. It’ll be similar to a zine, but I like to think it’ll be more than a zine – I’m printing it on good quality, 160gsm paper.
So far I’ve drawn three two-page spreads of nocturnal forest scenes. One is of a nightjar flying at the edge of a forest on an early summer evening:
Nightjars are such special birds, I have a bit of a thing about them.
The other two-page spread is of a family of badgers in a forest glade. The full moon has risen higher, it’s bold and bright in a dark, starlit sky:
I intend to make limited edition prints of these illustrations on white, linen paper. I’m hoping the printers I use are able to take on print jobs during this lockdown. Meanwhile, I’ll plan the other pages in the book. These will feature owls, deer, woodmice, moths and possibly bats.
I have a bit of a thing about forests. I guess I’m a nemophilist – from the Greek nemos, which means grove, and philos, which means affection. That also means I’m a dendrophile, a lover of trees. And then I’m also a bit of a nyctophile, someone who loves night and darkness. Interesting, but right now I love sunshine and am looking forward to the light and warmth of spring.
Note: A4 digital prints of both of these illustrations are now available in my Reflections shop and Etsy shop.
I am still working on the film poem I mentioned in my last post. I think it’ll take me a while.
Still, one thing that has come out of my Sea Trout project is the creation of new concertina cards. I call them concertina cards because they’re long cards folded twice. The idea arose from my long sea trout picture (click on the images for bigger versions):
I wanted to create a card out of the design and thought it would be good to feature a picture on the reverse side. So I drew a shoal of trout:
Here is the finished Sea Trout card:
I decided to create a further two cards, both with a “trees” or “forest” theme. The first of these is In The Forest. One side of the card features a daytime forest scene with deer and a fox beneath the trees:
On the reverse is a night scene featuring badgers, deer, foxes, owls and hedgehogs:
It reminds me a bit of a tapestry :)
Here is the finished card:
My third card features a badger sett. One side you see a badger family out foraging at night:
The other side shows a cross-section of the badger sett with some slumbering badgers along with a rabbit burrow, tree roots and a burrowing mole:
Here is The Badger Sett card:
All cards are available from my Etsy shop and come with a little tag for a message and a square kraft envelope. :)
Towards the end of last year I was approached by writer Caroline Greville, who asked me if I’d like to design a cover for her book, a memoir called Badger Clan. Caroline had found me via Twitter and we also both had pieces of writing published in the Seasons anthologies by Elliot and Thompson in 2016.
I was very happy to design a cover and had a strong image in mind when Caroline told me what the book was about and what she’d like. I’ve also been drawing badgers quite a lot recently too – badgers are never far away!
The book has just become available on Amazon as a paperback. Below is the front cover:
Here’s the blurb from the back cover:
Discovering badgers isn’t hard when you know where to look.‘The only badgers I ever get to see are dead ones.’ ‘Well, if you keep seeing dead ones, their family can’t be far away.’This throwaway conversation niggled, leading Caroline Greville to seek out her own neighbourhood badgers near her Kent home. She found them and was soon well-acquainted – so too were most of her family. A sense of interconnectedness developed as they had more badger contact than they could have hoped for. Badger Clan charts a simple quest that turns into a full-blown obsession. From loitering near a sett to working as local contact for a regional badger group, this memoir tells of wild encounters and gradual, intimate knowledge of the local clan. The story is rooted in rural village life, while the family are honestly depicted and relatable. A feel-good read in which enthusiast and elusive creature become inextricably bound.
I’m always happy to see one of my pictures or pieces of writing in print. In the November issue of The Simple Things magazine I have a piece of nature writing, ‘Still’, about encountering a badger. It sits alongside pieces by good writers such as Tim Dee, Alys Fowler and Neil Ansell. It would have been nice if they’d sent me a copy of the magazine. Instead, I had to go and buy one. (There do seem to be a plethora of these cosy, classy, hyggey, crafty, lifestyle magazines around at the moment. Is it ‘our’ need for comfort and reassurance in these somewhat dark, unsettled times?)
The piece was originally published in the Autumn anthology as part of the Seasons series by Elliott and Thompson. I’m now in the process of making little, A6 illustrated books using some of my previously published writings. Here is an example I’ve titled, Into the Wood:
The last badger I encountered was in the scrubby area behind the cabin in France where I stayed in the summer. It nearly ran into me as I stood quietly waiting for nightjars; they have poor eyesight but a great sense of smell.
I’ve just created some little vignettes in pen and ink that I’ve sent to Avocet Gallery in Rye for their Christmas Fair. One of these is of a sleeping badger – pen and ink with a blue copper sky painted with acrylic metallic paint and ink. The others are of a hare, a nest, an owl and, of course, deer:
I love vignettes both in art and writing – moments captured! And I love the way Jay Griffiths describes a badger in her little book, “Twilight“:
“Then I see him touched by two light, day-streaked and night-stroked, a keyboard playing a twilight sonata in a minor key for the maligned creatures of twilight, the badgers themselves, the wolf, the hare and the bat – flittermouse in flights of arpeggios to catch moths. And owls.”