My flat piece of wood from the allotment was sitting waiting for me to paint it or mark it in some way. I’ve been thinking of old wooden desks at school engraved with the initials of countless children and of trees engraved with messages, “so and so woz here” etc.
And, because I’m waiting for Spring to arrive, I’ve been admiring Botticelli’s “Primavera” as I have a print of it on my kitchen wall that I took from a book of mine. I particularly like the Three Graces in the picture and thought I’d add my own three graces in my next piece of art.
I had a picture to draw in mind, a woman bathing in a green sea. I was thinking of it as a Sea of Tranquility (keeping the moon theme going.) I hesitated a bit, not knowing quite how to create the picture I saw in my mind’s eye. In the end I just plunged in as though doodling on a desk with a biro and made a sketchy, scribbled drawing and went over it with watercolour pencil. The wood has it’s own history of moss stains and knots.
It’s rough, it’s sketchy but I made something come to life on the old wood, and, I rather like the ghostliness of it, the scratchy lines and layers.
I have been looking back over my inspirations and the different phases I’ve been through in the past few years as far as my creativity is concerned. Recently I’ve felt like doing a self portrait image for a new start as I’ve seen similar sketches on other peoples’ blogs. I thought that if I did a self portrait, it may just be an outline with nothing inside it. This immediately reminds me of when I was in a training session many years ago with the brighton organisation, ‘Carousel’, that does creative work with people with learning disabilities. It was an art therapy session and we were told to do symbolic images of how we see ourselves using imagery, words or whatever else we fanced. I knew exactly what I wanted to do, an outline representing myself with nothing inside it but lots of colours and ‘life’ on the outside. It was unlike anyone elses.
I returned to this simple image when going through what I like to think of as my ‘goddess’ phase. I was initially inspired by an image Rainbow Bodhisattva by the artist Vijali Hamilton which she did on a cave wall in Show Terdrom, Tibet. In her words:
Shoto Terdrom is a place where Buddhist nuns live as hermits in one of Tibet’s most beautiful and sacred places. In a vacant cave, I carved and painted the Rainbow Bodhisattva, an androgynous figure filled with prisms of color, seated in the lotus posture. Her/his legs were molded from the red clay of the cave floor. Neither a Buddha nor a Kuan Yin, this is an energy body, symbolizing the underlying energy connecting everything, the level at which our inner space merges with the space around us.
Her work is amazing, check out her website here. I’ve always liked prehistoric cave art as well and venus figurines, so it wasn’t much of a jump to becoming interested in the ‘goddess myth’.
I read Anne Baring’s ‘The Myth of the Goddess’ and other related material and took note of women ‘goddess’ artists. I think that I was also inspired by statuetes of the Cretan Snake Goddess that I’d seen in museums on Crete. But my image morphed into a ‘buddess’ and from there into an epiphanic, outlined figure, sometimes dancing, sometimes an angel at one with a moon or other planet. It’s an empty simple figure but its whole.I don’t think it’s good art, but it’s what happened/s, it’s just purely work from inside myself, done in my own basic way.
It’s been a long time since I wrote anything so I thought I’d start the year with the resolution of writing more. Last year was a difficult year despite my doing some interesting things; I just couldn’t engage with it all, perhaps there was too much happening or the timings of things was all wrong. Anyway, this year has begun OK, quietly and with the snow which, I surprise myself by saying, I’m enjoying.
I launched into printing and selling cards last year and that keeps ticking over. I did another design in the “Spirits of Nature” series, which I’m calling “Holly Man”. It’s a Winter/Christmas version of the Green Man and I’ve just used it for my website home page so far, but I’ll consider having it made into a card for next year.
I’m now keen to get back into doing some art. I stumbled on a whole series of blogs that I find really inspiring, namely ‘Contemplating the Moon’ and ‘Beyond Words’. Both women bloggers make visual books and diaries and this is something that I really want to develop. I’m a diary writer and have been since the age of thirteen but it’s been mainly words with just a few pictures and photographs. Now I want to add more art to my books which can mean experimenting with mixed media, painting, collage and even encaustics. The latter is an ancient technique involving painting with beeswax often pigmented with colour. Bridgette Guerzon Mills’ blog has been a great source of inspiration for this.
So this new year I’ll take quietly. I’ll experiment and be braver about writing even when things aren’t going my way. Watch this space and have a Happy New Year.
I’ve been very inspired by certain calendars I’ve seen at the end of last year. I did wonder whether my artwork – eg Spirits of Nature – was good enough for a calendar, so I’ve approached one or two publishers. I noticed calendars featuring the words and poems of Rumi during my browsing and I began to take note. Rumi was a 13th century Persian poet whose work has become very popular in recent years, especially in the US (probably mainly in new age circles). I’ve been searching and reading his poems and find them very appealing, very beautiful, profound.
Daylight, full of dancing particles
And the one great turning, our souls
Are dancing with you, without feet, they dance.
Can you see them when I whisper in your ear?
That’s a meer snippet, I’m a sucker for anything about dancing. Currently, I’m enjoying “Selected Poems” translated by Coleman Banks.
It seems as though I’m now noticing Rumi everywhere. Whilst googling ‘visionary art’ I discovered the Iranian artist, Rassouli, whose work I love (see www.rassouli.com). He publishes a Rumi calendar and I’m hoping to get one for next year. He’s been inspired by Rumi and another Persian poet, Hafez, who I’ve yet to read. I’ve found myself painting in a similar way recently, I don’t want to copy, but it’s good to be inspired.