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The Long Man of Wilmington

The Longman in snow Cut into Windover Hill in the South Downs, is a giant figure known as The Long Man of Wilmington. He is one of two hill figures in Sussex, the other being a white horse. On a grey day soon after Christmas, I took a walk to the Long Man to take his photo in the snow, a “Ghost Man” on the hillside.

I wanted to visit the giant again as I had been asked by a friend to do a painting of him. I have illustrated him before for a chapter in a book on archaeology and folklore. The image I did then can be seen on my website here.

I’m intrigued by the stories and mysteries surrounding The Long Man. Some theories suggest that he represents Beowulf fighting Grendal, others say he may have been a god or hero, a pilgrim, a Roman standard bearer or some sort of fertility symbol. The Long Man is situated on a ley line and it has been suggested that he was a “Dodman”, someone who laid out the original ley lines with his two staves. The Long Man of the CoalsThe staves may represent the “gates of dawn”, or a gate through which he is passing to either heaven or the underworld. Perhaps there once was a real giant and the hill figure is a memorial to him. Another story says that there was once another giant who lived nearby on Firle Beacon. A battle started between the two, rocks were thrown and the Long Man was killed. Perhaps the giant was a protector of the area, created to frighten people away from important flint mines and burial mounds. According to local folklore, King Arthur fought and won a battle at Flossenden on a nearby hill-top, where there are supposedly entrenchments and a cave.

I was interested to learn that Windover Hill is said to be one of many places on the South Downs haunted by “Black Dogs” which follow you around, the sound of their paws stopping and starting as you do. All these legends satisfy my desire for stories at this time of year.

I saw no black dogs or apparitions in the village of Wilmington. My only fear was negotiating the ice-rink car park!

My painting is now finished and is with its new owner. I called it “Long Man of the Coals” as it looks as though he’s emerging from fire. (It could also perhaps be called “Long woman” ??) Today I did a drawing in pen and ink that I’m calling “Long Man of Wilmington and Black Dogs”. It’s more fanciful than my previous Long Mans – I was inspired to do it when I stumbled on “May” by Eric Ravilious, which I think is such a great image.

Long Man of Wilmington with black dogs

Dogs, wolves….it is also a full moon tonight, referred to by some as the Wolf Moon.

“..they come from the hills far away
Where the setting sun hangs low in the sky
Where eery caves echo and sigh
Where the sleeping bodies of soldiers lie.”

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New Year

Woman Moon BirdA quiet end to the year, a year of reflecting, writing and blogging. I stood on the balcony when the pips struck twelve and watched as hundreds of orange lanterns took to the skies. One floated quite close by from the garden next door to join the magical scene. And then fireworks on the horizon bursting forth above the silhouettes of roofs and chimneys. It was so mild compared to the recent snowy spell; I was just in a light long sleeved top.

The New Year has started well. We saw friends who took home some of my recent paintings and were curious about some of my early stuff. It was fun bringing out from storage, a large red painting that I haven’t seen or thought about for years. My last few paintings have been light or of vibrant colours but now I seem to want dark paint….and stories. Perhaps illustrative paintings. I want to continue with my Turtle Dreaming story and it would be good to finish it this year. The “Dreamcatcher Woman” in my last post was the start of painting on wood once again. It’s not a good painting but I like the depth and darkness, the hint of ocean about it. The song just came into my mind while I was scanning in the photo. Here is the next piece, “Woman, Moon, Bird” also on sanded scaffolding board.

I shall put up the end of year paintings soon if I can finally finish them. Meanwhile, wishing much happiness for the New Year ahead.

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Polina Semionova and newspaper dancers

Newspaper dancer 3Newspaper dancer 1Newspaper dancer 2


I believe, sometimes, that the ultimate is to dance.

I didn’t realise I liked ballet so much until I stumbled upon a youtube video of Polina Semionova dancing when I was looking randomly for dance videos. It entranced me so much I had to keep playing it over and over again. I’ve been a fan of Sylvie Guillem and seen Carlos Acosta, but I’m not normally a fan of traditional ballet – it seems so unnatural to be up on pointe. I’ve changed my mind now, I’m a fan, so I’m posting this youtube video and have used it to make some sketches that I did on old newspaper. I like the texture created by the newsprint and the way that it looks transitory and transparent. But I know I haven’t done Polina justice!

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Letoon, Leto and frogs

Letoon with frogmenLetoon

I’ve been illustrating more myths, inspired this time by ruins I visited when on holiday back in September.
The ruins of Letoon are near Patara in the Lycian region of Turkey. I’ve been meaning to write about the ruins for sometime as I really like the mythology associated with them. This is the story:

Letoon was the holy sanctuary of the goddess Leto and her two children, Apollo and Artemis. In Greek mythology, Leto was the lover of Zeus, who abandoned her and left her to wander, pregnant, in search of a secure home. She was thirsty and came to a Spring at nearby Xanthus but as she tried to take a drink some shepherds chased her away. In revenge, the goddess turned them into frogs.

The ruins chime with the story. They are partially submerged with pools that teem with frogs, dragonflies, terrapins and pond weed. When I wandered close to the edge the water became alive with movement. There is something romantic about the place with its temples, inscriptions, water and wildlife. And the frogs are a reminder of Leto’s myth.

I’m still intrigued by the ‘underwater world’. My illustration is somewhat dark and I hesitated over whether to post it, but thought I’d just go ahead anyway. It features Leto, frogs and ‘frogmen’. My ‘shepherds-turned-into-frogs’ are somewhat comic, I couldn’t help thinking of them in terms of cartoon alien creatures in jumper suits! But, apart from that, the imagery I have done reminds me of the ballet, ‘Garden of Earthly Delights’ that I saw years ago performed by Rambert Dance Company.

I looked into the mythology and symbolism of frogs. In many religions around the world they are important symbols of transformation and fertility. In Egypt they were associated with the goddess of fertility and childbirth. This may have been because of the appearance of many frogs with the flooding of the Nile, considered omens of fruitfulness. In some cultures they symbolise cleansing and healing because of their association with rain and water.

It is interesting to read about frogs as Totem animals by the artist Ravenari. Check out her lovely artwork too.

To me, frogs are symbols of the link between the conscious and unconsious because of their life both in and out of water and their need for water. I shall explore more amphibious creature myths another time. But here is a link to a poem, “Ode to Drowning” by Tishani Doshi that I think is very beautiful.

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Sleeping in the forest

Night Falls

Here’s a beautiful poem I was inspired to illustrate with mixed media:

Sleeping in the Forest

I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.

from Sleeping In The Forest by Mary Oliver

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Night Garden

Cave garden altered book

In the night gardenI’ve continued with the idea of a cave garden. It doesn’t make much sense having a garden in a cave where there’s no light, its as crazy as carpeting pavements. Still, I decided to create cave garden pages in my altered book and found some grass specimens in one of my collections; barren brome, wild oat grass and the ‘clapping hands’ of couch grass decorate the pages. I liked the idea of being in a garden inside a cave and looking out at a landscape and sunset. The page is really just a rough start but I thought I’d display it anyway.

I haven’t got around to visiting a garden yet although I have in mind a place called ‘The Breathing Space’ where a friend has created a willow dome and made it a place for people to go to meditate and enjoy nature. You can see her blog here. Instead I stayed in and worked on a few illustrations on the garden theme. Here is one of them called ‘In the Night Garden’. I’m aware of the children’s television programme of that title, but I don’t care!

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Shunning the light

Woman Shunning the Light

Altered book with woman's face

Buddha Head in tree roots

Woman with Candle

Days ago I imagined I was in a garden. Usually I like wild places but I definitely yearned for a garden of stillness and contemplation. I let the day dream unfold and take me to a cave, a cave garden, in which to meditate. Walking back with the shopping, my thoughts were adrift in powder blue, and I was surrounded by cave drawings of sea creatures, birds and flowers. Peaceful, it reminded me of a painting of Radha and Krishna in the Grove as can be seen here.

I need to find a garden.

The opalite light breaks into brightness. It has been glorious for days, but somehow too bright, too blazing. Its starkness has made me want to turn away and hide. I’ve felt inspired to draw and made this sketch that I’ve called “Woman Shunning the Light”.

I have now added the picture to my ‘altered book’.

She has the face that so often crops up in my pictures. It isn’t my face but the face of an unknown, mystrey woman that looks similar to the Buddha’s head in this photo taken in Ayutthaya in Thailand. She has appeared in my “Woman with Candle” painting, taking light from a dying sun to carry with her into the night. (I have altered the colours of the painting in photoshop to make it bluer – you can see the original on my website paintings page here.) It has an Edvard Munch/Van Gogh inspired sky.

I stumbled upon a passage by Bill Plotkin from his book ‘Soulcraft’ which makes me think about the light and the dark:

People who live excessively upperworld lives take a transcendental view of everything. They tend to see light, love, unity and peace everywhere. They are attracted to the Course in Miracles or aspire to, “enlightenment,” via an ungrounded approach to Buddhism….

…People who live excessively underworld lives see the world darkly. They tend to see hidden meaning, mystery, and the undoing of things everywhere. They gravitate toward the occult and the paradoxical. They want to penetrate to the center of everything and understand it all by standing under….

A holistic approach to spirituality interweaves the ascent and the descent, rendering balance to the experience of both the upperworld and the underworld.

You can read more of the passage here.

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Fleeting wildlife encounters

I’ve been wanting to photograph the elusive and fleeting wildlife encounters I’ve experienced recently around town — the sparrowhawk that flew straight across the road in front of me making a peeping noise and with a starling or blackbird in its talons. Or the fox which slunk past me on the pavement within a metre the other day, or the one glimpsed crossing the road and disappearing over a garden wall as we were returned from a walk on Hollyberry Hill Fort. My photo of him was too poor to show here, but I’m going to try and feature an urban wildlife photo each week from now on. That could be a challenge.

Birds in overcast skies

Last night I had a dream. I went into a room that was my room in the house I grew up in. The room was dimly lit but I could see that there were pictures, photos and shapes of birds all around the room. In the dream I was studying nocturnal bird migration. When I woke up I wrote it down and felt inspired to do a sketchy picture of migrating birds. I had distinctly seen swallows in my dream, but they’re more like starlings in my picture. The sky is overcast, not quite like the lovely sunny weather we’ve been having! Still, it’s been a bit dull today and I’ve been wrapped up with a cold — just like autumn! I need to do something colourful to welcome the better weather!