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A Surprise in the Post

Sacred Time by Christine Valters Paintner

Look what arrived in the post today – Sacred Time by Christine Valters Paintner, a book that I illustrated last year! It came with a lovely letter from the editor of Ave Maria press.

I was very pleased to receive it. I’ll treasure it.

To find out more about Sacred Time and to see all the inside illustrations, check out Christine’s website. There you can find out about her other books, writings and other work. If you’re interested in buying a print of any of the pen and ink illustrations, contact me.

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Night Wood Nature Zine/Booklet

Finally done, my Night Wood nature zine/booklet. I’m pleased with how it’s turned out. I decided to call it ‘Night Wood’ instead of ‘Night Forest’ because I started thinking about what the words ‘forest’ and ‘wood’ mean to me.

Night Wood Book
Night Wood nature zine/booklet.

The word ‘forest’ conjures up a vast area of trees, sweeping over the landscape into the distance. On the other hand, when I think of a wood, I imagine a smaller, more intimate place of trees. So, my booklet title is Night Wood.

Night Wood Book
Night Wood nature zine/booklet.

I do like the word ‘forest’ though. It is the Old French word, ‘forest’, which later became ‘forêt’. Forest probably came from the Late Latin words forestem silvam meaning ‘the outside woods’, or the woods beyond the fenced park.

The word ‘wood’ comes from the Old English word wudu meaning a collection of trees. Wudu may come from the Old Norse word viðr or the Swedish word ved, meaning tree or wood. Another possible source is the Welsh word gwydd, meaning trees. This website mentions a few other interesting forest words including Silvanus, the Roman God of woods and fields from which we get ‘silviculture’. Apparently Silvanae were goddesses who accompanied Silvanus… (I can see some further research and pictures that might materialise).

My Night Wood nature zine/booklet is full of wildlife, including badgers, deer and an owl, beneath the moon. All special to me. I like getting lost in intricate detail. There isn’t a story, just a few words – enough to set the scene and tie the book together. The book is A5 size and comes with a black, C5 tie and washer envelope. I like to think of it as a special gift, more than a card, a little book to treasure for anyone who loves woods, trees and wildlife as much as I do. It’s available in my Etsy shop and my Reflections shop.

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New Forest Book

Working in the sunlight
Working in the sunlight

I woke before dawn to see a crescent moon high in the southern sky. Now it’s a beautiful bright cold day with frost on the lawn and on the rooftops. I am longing to get out into the woods, but the car is broken, I’ve put my back out and we’re in lockdown. I’ll have to wait. Instead I’ve found a patch of sunlight to work on my new ‘forest’ book.

This book is about the forest at night. It’ll be titled Forest or Night Forest and will be mostly made up of illustrations with minimal text. It’ll be similar to a zine, but I like to think it’ll be more than a zine – I’m printing it on good quality, 160gsm paper.

So far I’ve drawn three two-page spreads of nocturnal forest scenes. One is of a nightjar flying at the edge of a forest on an early summer evening:

Nightjar in pen and ink
Nightjar scene in my new forest book. Click on the image to see a larger version.

Nightjars are such special birds, I have a bit of a thing about them.

The other two-page spread is of a family of badgers in a forest glade. The full moon has risen higher, it’s bold and bright in a dark, starlit sky:

Badger scene
A badger family scene in my new forest book. Click on the image for a larger version.

I intend to make limited edition prints of these illustrations on white, linen paper. I’m hoping the printers I use are able to take on print jobs during this lockdown. Meanwhile, I’ll plan the other pages in the book. These will feature owls, deer, woodmice, moths and possibly bats.

I have a bit of a thing about forests. I guess I’m a nemophilist – from the Greek nemos, which means grove, and philos, which means affection. That also means I’m a dendrophile, a lover of trees. And then I’m also a bit of a nyctophile, someone who loves night and darkness. Interesting, but right now I love sunshine and am looking forward to the light and warmth of spring.

Flatropers Wood
Flatropers Wood, East Sussex – a bit of a favourite.

Note: A4 digital prints of both of these illustrations are now available in my Reflections shop and Etsy shop.

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Deer in the Night Wood – a Printed Papercut Book

Imagine it’s all quiet, except for the rustlings of woodmice and voles on the forest floor. Listen. In a shadowy tree top close by, sits a tawny owl hunched in his ruffle of feathers. Soon he’ll call to his mate. Be still and sense the forest; its blend of blue shadow, its lonesome shafts of bone moonlight outlining naked branches in shimmering white. Watch as a badger ventures out, rummaging in the leaf litter for earthworms beneath the tall oaks and beeches. Then a hind appears at the edge of the trees…

Printed papercut book
The inside cover of Deer in the Night Wood, my printed papercut book. Click on the image to enlarge.

I’ve created an altered book inspired printed book, Deer in the Night Wood, because I was curious about whether it would work. There are no words in my book, the paragraph above just sums up the atmosphere of the night forest I had in my mind when I was drawing the inside cover.

The book is made of six sheets of card, including the cover, which is in colour.

Printed papercut book
Making a printed papercut book – a sheet ready for cutting.

My pen and ink illustrations are printed on both sides of the card in mirror image, so the scene is on the front and back of each page. The printer did his best to align them, but it’s very difficult to make the fit exact.

Page from printed papercut book
The reverse side of a page showing papercut.

I papercut each sheet separately and folded them in half. Then I trimmed off the edges of each folded sheet – except for the cover – because the pages creep out beyond the edge of the cover and I didn’t adjust the size of them before printing. Finally I sewed the pages together with two stitches along the spine with a strong needle and embroidery thread.

Here is the finished thing, handsewn and slightly smaller than A5 in size:

Printed papercut book
My printed papercut Deer in the Night Wood book.
Printed papercut book
Printed papercut book, Deer in the Night Wood, open to show the layers.
Printed papercut book
Printed papercut book with a black string and washer envelope.

I had a few of these books printed as gifts for my family. Each book may be printed, but the papercutting is by hand, which is quite a bit of work. I’m wondering whether they would sell? I’m not really sure. What do you think? Perhaps they are just meant as gifts, my gifts.

There is more night forest stuff to come…

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Altered Book Commissions 2020

I’ve had my head down working on projects and not getting out as much as I’d have liked. It’s also been rather wet. Soon, I hope to have one or two new things to show that I’m working on. Meanwhile, I thought I’d put up a few of the altered book commissions that I’ve done this year.

Dragon in the Forest Altered Book

I was contacted and asked to make an altered book inspired by Terry Brooks’ magical kingdom. I haven’t read any Terry Brooks’ books, but I researched a bit and, along with a few guidelines from my customer, came up with the following:

Dragon in the Woods altered book
Altered book inspired by Terry Brooks’ magical kingdom.

There’s a dragon hiding behind the trees and a ruin of a house.

The Wintry Wood Altered Book

I was asked if I would make another Box of Delights altered book, this time based on the winter scenes in the story. It’s called The Wintry Wood. David Plaice gave me outlined drawings of what he wanted on each of the pages, apart from the last one which he said I could draw as I liked and make it a surprise. Below are three pages from the book…

… and a lovely video made by David Plaice of the book as a whole, with music by Ian Hughes. I didn’t realize it at the time, but The left hand pages of the book were inspired by my 2017 Romanian bear seeking excursions.

Deer in the Forest Altered Book

Finally, I worked on a pocket sized sketchbook and created Deer in the Forest. It wasn’t exactly a commission, until the first copy went missing in the US postal system and I was asked if I’d make it again:

Pocket Altered Book
Two Deer Pocket Altered Book

Two Deer Pocket Altered Book

I hope to share some more forest-related artwork soon.

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The Woodland Edge Concertina Card

Light through trees

On fine days this autumn, I’ve tried to get out into the woods and see some beautiful colours. Autumn is my second favourite season after spring, so when I decided to create a coloured concertina card, I thought I’d be guided by the colour around me.

When I think of woods, I often think of deer – and sometimes see them too – so I’ve created an autumnal, woodland scene with deer on the front and, on the reverse side, I’ve drawn a field with some hares. I’ve called it ‘The Woodland Edge‘ because so much happens at the edge of things! :)

Here is a photo of the deer side:

The Woodland Edge Concertina Card
The Woodland Edge Concertina Card – front.

And here is the hare side:

The Woodland Edge Concertina Card
The Woodland Edge Concertina Card – back.

Here are the full length images (click on the images to make them bigger):

the Woodland Edge
The Woodland Edge Concertina Card.

I’ve used pen and ink with coloured pencils. I would have liked to have used coloured inks, but the water would have made the black ink run and I prefer to use my Art pen for this sort of drawing. I think the colour has worked.

The Woodland Edge Concertina Card
The Woodland Edge Concertina Card.

This card, along with my other greetings cards, is available in my Etsy shop and in my Reflections shop.

They’ll be more cards soon. :)

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Sacred Time by Christine Valters Paintner

Sacred Time

Earlier this year I was contacted by author Christine Valters Paintner, who asked me whether I’d like to do some illustrations for her new book, Sacred Time: Embracing an Intentional Way of Life. Of course I would! I was very pleased to get involved.

Christine describes herself as a poet, a hermit and a mystic. She is also Abbess of Abbey of the Arts, a photographer, spiritual director, pilgrim guide and teacher. Originally from the US, she now lives in Ireland.

Sacred Time takes the reader through the various phases of time, as marked out by the breath, by the hours of the day, the days of the week, etc. and by the different stages of life. It is a beautifully reflective book with poems and practices that encourage us to slow down, to contemplate and consider how we spend our time. We become more aware of our own path through life and the rhythms and cycles of nature that can give perspective as well as serve as anchors and inspiration.

I illustrated each of the eight chapter headings in pen and ink. Below are a couple of my illustrations. Click on the images to see larger versions.

The journey through the Hours is a poetic and symbolic journey through the movements of the seasons in each day. Each moment of the day has a certain kind of quality and invitation and we are invited to make those conscious and to live our lives in response to them.

From Chapter Two: Rhythms of the Day

You can see all my illustrations on Christine’s website here.

Sacred Time: Embracing an Intentional Way of Life comes out in February 2021. Keep an eye on Christine’s website Abbey of the Arts for updates and check it out for information about her programs, poetry and other books.

Here is Christine’s page on Amazon and on Barnes and Noble.

If you’re interested in buying a digital print of any of the images for Christine’s book, contact me.

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Prima Donna della Terra – First Woman of the Earth

I’ve just read Gathering Moss by Robin Wall Kimmerer. In one chapter she visits an environmental artist, Jackie Brookner, who created an installation covered in living moss and ferns and titled Prima Lingua (First Tongue). As soon as I read these words, I stopped reading and looked up; a strong image came into my mind. It was the image of a woman’s profile, dark against the light, emerging from the mossy rocks and ferns of earth.

Prima Donna della Terra
Prima Donna della Terra – a Moss Goddess or Moss Bride

Perhaps it was the word ‘Prima’ as in Prima Donna, First Woman, that conjured up this image for me. I don’t know. I researched the artist and found that her Prima Lingua sculpture is composed of volcanic rock and concrete, a giant ‘tongue’ covered in mosses, liverworts and ferns, which ‘licks the polluted water in which it stands’. Water is pumped over the tongue and cleaned by the moss and other life forms on the rock. You can see a photo and read about the art installation here.

I decided I wanted to create a First Woman of the Earth artwork and call her Prima Donna della Terra (Italian is easier than Latin). She would be one of my reclaimed scaffolding board icons. I just happened to have a board put to one side a year or so ago, ready for a painting.

Prima Donna della Terra painting
Prima Donna della Terra – painting on reclaimed scaffolding board in the garden.

One day I’ll train vegetation and encourage moss to grow over one of my board paintings.

I was curious to see what I would find if I googled ‘First Woman of the Earth’. What came up first was a narrative poem based on Lilith by a nineteenth century American author. Lilith was Adam’s first wife according to Jewish mythology and ‘made from the same clay’. I liked that. I learnt that she refused to obey him and also refused to return to the garden of Eden. I smiled at that thought.

Lilith also has other, complex identities, sometimes she is seen as the spirit of a tree. In Hebrew, the name Lilith means ‘night creature’ amongst other things. I am attracted to dusk and night wildlife, so that pleased me too.

My Prima Donna della Terra is not Lilith. Nevertheless, I like to think of her associated with the night and I’ve painted some night creature imagery on the painting that includes a bat, a deer, a moth and a young boar. Her origin I imagine to be Babylonian or Assyrian, perhaps Ethiopian as, once again, I think I’ve been inspired by Ethiopian religious art (see an earlier blog post).

I decided to paint both the front and back of the board. The woman on the front is looking out from the present to the future. On the other side, a figure looks back at the past. The front holds the day, the back, the night. Here she is at night in the garden:

Prima Donna della Terra - night
Prima Donna della Terra – at night in the garden.