I’ve been creating mini box frames in natural wood. One is for my brother’s belated birthday, depicting a little badger scene, and the other is of the cabin where we stayed in France to give to the owners:
I’ve also recently created a larger box frame commission for a friend, a woodland scene with a badger, deer and owl:
If you’d like a box frame made, contact me with your ideas.
I’ve also just added a Woodland Gift Box to my Etsy shop that contains a mini box frame, a The Memory Tree book, an Owl Notebook and some Nightlife Badges.
It started with my neighbour having a clear out and leaving a pile of white box frames on the wall outside my house (it’s common for people to leave stuff on the pavement with a note saying “Free, please take me!”). The box frames were in excellent condition and I had an idea of creating a layered illustration inside one similar to the way I make altered books.
My first attempt was of a deer in a glade. I took it to Studio 45, a little gallery near the Open Market in Brighton, where it promptly sold. I created more layered illustrated papercuts and bought some more box frames to continue the project. Those I’ve completed so far can be seen below. Some have gone to good homes, some are for sale in my Etsy Shop and Folksy shop and a couple are in galleries. They reflect my current themes of woodland, woodland edges and the wildlife that lives there.
I am creating a separate page for box frames in the same way I’ve created a page for altered books. I’m still very much into pen and ink but soon I’ll get into colouring again.
It’s the time for nests! Everywhere I hear birdsong even in the middle of town and it’s lovely. As a child I would climb trees in the hope of finding a nest. Sometimes I did, but those I found – and collected – never had any eggs. I wouldn’t have disturbed them if they had. It’s very special getting a glimpse into a nest with eggs.
In our garden there are a couple of magpies building a nest in the top of a dead sycamore tree. The nest looks oval with a sort of thatched roof. They’re probably not yet tending eggs – my egg book says April – May. It’s good to watch them in action. I like magpies although they have a bad name and are so numerous these days. I remember a lovely animation featuring magpies on the IPM Radio 4 website that accompanied a short programme about bird watching and dementia.
I have a few new creations that feature nests, apples and wings – altered books and small canvases. My Blackbird Nest altered book was on Folksy and sold very quickly:
As it’s Spring, I had to create a Spring altered book which depicts a blackbird nest and woodland scene.
Another one illustrates the poem, Song of the Wandering Aengus by William B. Yeats. I have chosen to illustrate the last few lines of the poem:
..And walk among long dappled grass,
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun.
The left side of the book features the moon, half the tree of silver apples and a woman. The right side features a man sitting in the sun below the half of the tree with gold apples.
The poem is an old favourite of mine, first heard to music sung by Donovan in a youtube video with some lovely, loose illustrations.
The altered books are part of the Words Exhibition at Obsidian Gallery in Buckinghamshire. I also have Memory Tree Books, a little “Winged” canvas and some cards in the exhibition. The Wings canvas is similar to a commission, Stone Angel Wings, that I did last year (see photo below) It was originally based on an altered book I created some time ago.
My little booklet, “Goddesses of River, Sea and Moon” is now available to buy on Folksy here. It covers the mythology of 24 goddesses from around the world, each with a detailed pen and ink illustration. And now I’m working on a colour version!
So much water this year, the news seems to be inundated with stories of floods and storm surges. Water is taking over, spilling over banks, uniting oceans, seas, rivers… and it is seeping into my art themes once again.
I am into pen and ink once again which takes me back to my days of doing many illustrations for the Brighton based organisation, RiverOcean. In those days my drawings were all about sea creatures and the sea. Well once again my pen and ink drawings are water related but drawn for a small book I’m writing on River, Sea and Moon Goddesses, a theme that I’m especially interested in… back to that underground river that flows beneath my life.
My illustrations here are of perhaps some lesser known goddesses. Take Ved’ava for example, a goddess of the sea or water spirit placated by fishermen of Finno-Ugric peoples. She is sometimes portrayed as a kind of mermaid with a fish tail, playing, singing and seducing humans. If a fishermen saw her it was not a good omen as she was believed to be a drowned person’s spirit.
Then here’s Vejama, or Yemoja, she has several names. A goddess of pregnant women and the River Ogun, a river in West Africa, but she is also a goddess with namesakes in other parts of the world. In Brazil, she is Queen of the Ocean and a goddess of fishermen and shipwreck survivors. She is a mother goddess, a fertlity goddess, a spirit of Moonlight too. I wanted to base my pen and ink illustration on the photo collage of my River Goddess, Moanna. I’m not sure it works, what do you think?
A better-known goddess is Sedna, or Nerrivik, goddess of sea creatures and the Underworld in Inuit mythology. There are various stories about Sedna but most tell of the chopping off of her fingers from which are created the seals, walruses, whales and other marine creatures the Inuit hunt. If angered she withholds the sealife from hunters in her undersea domain and it requires a shaman to metaphorically dive to find her at the bottom of the sea and brush the tangles from her hair to calm her. I am particularly inspired by Inuit culture and myth right now. My goddess still has her hands and she looks a bit wooden so I’ll need to work on her.
This is a ‘taster’ for my book. I’ll be keen to get back to working with colour again soon.
This morning I thought about a pen and ink drawing I did years ago titled “Walking Blind the Night of the Comet”. It’s dated 14th April 1997 so the comet must have been Hale Bopp, the Great Comet of 1997. I’d been invited by a friend to go to Devil’s Dyke in the South downs to take photos at night. Fortunately the night was clear and we had good views. I have a photo of the comet somewhere as a faint smudge of light, but here is the drawing I did a few days later.
I’ve looked a lot at the work of Samuel Palmer one of my favourite artists. I love his sepia, moonlit scenes; like him I have put the moon in many pictures. I feel drawn to black and white drawings and photos, and enjoyed looking at the small sketchbooks of Julien Bell in a current exhibition at Brighton Museum and Art Gallery called Dreams of Here. The exhibition also features works by Tom Hammick and Andrzej Jackowski. I was interested in seeing Tom’s work as the flier read that he “uses landscape as his starting point, but a landscape shaped by memories and dreams”. I’m becoming increasingly drawn to landscapes both inner and outer and how they feature in art and literature. Tom Hammick’s work did not disappoint and I appreciated his dark scenes of trees, figures and obscure imagery as well as his vivid colours.
Feeling inspired by my old drawing, Samuel Palmer and the exhibition, I decided to visit some local woods in Brighton and look at trees and paths. I like paths. Paths are worn with stories. I took photos but my creative result is a pen and ink sketch from my imagination featuring a crescent moon once again! I’ve named it “Pathway Through the Wood“. The spindly trunks and coils of bramble stand out at the moment, late winter, hence the swirls in the foreground.